yves saint laurent haute couture 1976 | ysl founder yves saint laurent haute couture 1976 Using gleaming colors and luxurious textiles (including fur, chiffon, silk, velvet, and gold lamé), Saint Laurent restored haute couture’s capacity to make people dream. At its launch, the Day-Date was the first wristwatch to combine all Rolex’s latest watchmaking innovations: a self-winding, waterproof chronometer with the date and day .
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Runway footage of the legendary 'Russian Ballet and Opera' or 'Opéra Les Ballets Russes' Haute Couture collection by Yves Saint Laurent for Fall/Winter 1976/.It was at this time that Yves Saint Laurent, haute couture's preeminent practitioner, threw caution to the prevailing winds with a presentation of unrivaled fantasy and luxury. He called it his .
Using gleaming colors and luxurious textiles (including fur, chiffon, silk, velvet, and gold lamé), Saint Laurent restored haute couture’s capacity to make people dream.
Saint Laurent refreshed the couture, making it seem desirable and distinctive in a time of ready-to-wear leadership. Acclaimed by the International Herald Tribune as "a revolution" and "the most .Despite having relocated his haute couture house to 5 avenue Marceau two years earlier, Yves Saint Laurent chose to present his collections at the Salon Impérial of the Hôtel Inter . This dichotomous decade—sandwiched between the counterculture 1960s and the opulent 1980s—witnessed the demise of haute couture's majestic reign and the simultaneous .
His 1976 haute couture collection was an homage to Sergei Diaghilev's Ballets Russes, who, at the turn of the century, exported a fantasy of Russia to a European audience. .
Yves Saint Laurent Haute Couture labelled and numbered 39875 Ballets Russes collection Autumn Winter 1976-1977 The Abrahams gold-silk fabric is woven with leaves. The ensemble .
These biographies chart the trajectories of Yves Saint Laurent and Pierre Bergé, from the pair’s personal lives and convictions to Saint Laurent’s signature designs and the history of the haute .Yves Saint Laurent, Paris, France - Couture Fall 1976 Advance, Paris, France - 22 Jul 1976
Runway footage of the legendary 'Russian Ballet and Opera' or 'Opéra Les Ballets Russes' Haute Couture collection by Yves Saint Laurent for Fall/Winter 1976/.It was at this time that Yves Saint Laurent, haute couture's preeminent practitioner, threw caution to the prevailing winds with a presentation of unrivaled fantasy and luxury. He called it his 'Russian Collection,' but his designs were Slavic only in their Oriental excess and opulence. Using gleaming colors and luxurious textiles (including fur, chiffon, silk, velvet, and gold lamé), Saint Laurent restored haute couture’s capacity to make people dream.Saint Laurent refreshed the couture, making it seem desirable and distinctive in a time of ready-to-wear leadership. Acclaimed by the International Herald Tribune as "a revolution" and "the most dramatic and expensive show ever seen in Paris," Saint Laurent's Russian collection of fall/winter 1976-77 was counter-revolutionary to the 1960s.
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Despite having relocated his haute couture house to 5 avenue Marceau two years earlier, Yves Saint Laurent chose to present his collections at the Salon Impérial of the Hôtel Inter-Continental on the Rue de Castiglione in 1976.
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This dichotomous decade—sandwiched between the counterculture 1960s and the opulent 1980s—witnessed the demise of haute couture's majestic reign and the simultaneous ascension of designer-led conglomerates. The shifting sands of style during the 1970s accelerated the relaxation of fashion codes. His 1976 haute couture collection was an homage to Sergei Diaghilev's Ballets Russes, who, at the turn of the century, exported a fantasy of Russia to a European audience. Among.Yves Saint Laurent Haute Couture labelled and numbered 39875 Ballets Russes collection Autumn Winter 1976-1977 The Abrahams gold-silk fabric is woven with leaves. The ensemble comprises a blouse with full sleeves, and a pleated skirt.These biographies chart the trajectories of Yves Saint Laurent and Pierre Bergé, from the pair’s personal lives and convictions to Saint Laurent’s signature designs and the history of the haute couture house.
Yves Saint Laurent, Paris, France - Couture Fall 1976 Advance, Paris, France - 22 Jul 1976
Runway footage of the legendary 'Russian Ballet and Opera' or 'Opéra Les Ballets Russes' Haute Couture collection by Yves Saint Laurent for Fall/Winter 1976/.It was at this time that Yves Saint Laurent, haute couture's preeminent practitioner, threw caution to the prevailing winds with a presentation of unrivaled fantasy and luxury. He called it his 'Russian Collection,' but his designs were Slavic only in their Oriental excess and opulence.
Using gleaming colors and luxurious textiles (including fur, chiffon, silk, velvet, and gold lamé), Saint Laurent restored haute couture’s capacity to make people dream.
Saint Laurent refreshed the couture, making it seem desirable and distinctive in a time of ready-to-wear leadership. Acclaimed by the International Herald Tribune as "a revolution" and "the most dramatic and expensive show ever seen in Paris," Saint Laurent's Russian collection of fall/winter 1976-77 was counter-revolutionary to the 1960s.Despite having relocated his haute couture house to 5 avenue Marceau two years earlier, Yves Saint Laurent chose to present his collections at the Salon Impérial of the Hôtel Inter-Continental on the Rue de Castiglione in 1976. This dichotomous decade—sandwiched between the counterculture 1960s and the opulent 1980s—witnessed the demise of haute couture's majestic reign and the simultaneous ascension of designer-led conglomerates. The shifting sands of style during the 1970s accelerated the relaxation of fashion codes.
His 1976 haute couture collection was an homage to Sergei Diaghilev's Ballets Russes, who, at the turn of the century, exported a fantasy of Russia to a European audience. Among.Yves Saint Laurent Haute Couture labelled and numbered 39875 Ballets Russes collection Autumn Winter 1976-1977 The Abrahams gold-silk fabric is woven with leaves. The ensemble comprises a blouse with full sleeves, and a pleated skirt.
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These biographies chart the trajectories of Yves Saint Laurent and Pierre Bergé, from the pair’s personal lives and convictions to Saint Laurent’s signature designs and the history of the haute couture house.
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